ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
5277 |
|
Allegoric Painting (from Villa Lemmi) hgjgh |
c. 1497
Fresco, 212 x 284 cm
Mus??e du Louvre, Paris |
5276 |
|
Allegoric Painting (from Villa Lemmi) d |
c. 1497
Fresco, 212 x 284 cm
Mus??e du Louvre, Paris |
43866 |
|
Allegory of Abundance |
1480-85 |
44285 |
|
Baptism of St Zenobius and His Appointment as Bishop |
1500-05
Tempera on panel,
66,5 x 149,5 cm |
5273 |
|
Calumny g |
1495
Tempera on wood, 62 x 91 cm
Galleria degli Uffizi, Florence |
44276 |
|
Calumny of Apelles |
1494-95
Tempera on panel,
62 x 91 cm |
5274 |
|
Calumny, detail of Truth and Remorse f |
1495
Tempera on wood, 62 x 91 cm (full picture)
Galleria degli Uffizi, Florence |
44275 |
|
Christ Crowned with Thorns |
c. 1500
Tempera on panel,
47,6 x 32,3 cm |
56498 |
|
den mysrisks fodelsen |
mk248 inskriptionen, som banvisar bade till apokalypsen ocb italiens priblem ar bade pa grekiskika ocb latin. botticelli botti bar anvant en mycket gammal teknik som for stor madonnan ocb barnet bilden kraver en atergang rill medeltidens moral. |
44298 |
|
Extraction of St Ignatius- Heart |
c. 1488
Tempera on panel,
21 x 40,5 cm |
5275 |
|
Fortitude gf |
1470
Tempera on wood, 167 x 87 cm
Galleria degli Uffizi, Florence |
5314 |
|
Giuliano de Medici |
Panel, 76 x 53 cm
National Gallery of Art, Washington
|
5312 |
|
Giuliano de Medici |
1478
Panel, 54 x 36 cm
Staatliche Museen, Berlin |
44273 |
|
Giuliano de- Medici |
1478 Panel
54 x 36 cm |
62942 |
|
Holy Trinity |
1491-93 Tempera on panel Courtauld Institute Galleries, London The archangel Raphael is leading the young Tobias by the hand. He is holding a small box, and Tobias is carrying a fish in a noose. The fish is Tobias' attribute. He was advised by the angel to use its gallbladder to restore his blind father's sight; the miraculous gallbladder was kept in the box. Artist: BOTTICELLI, Sandro Painting Title: Holy Trinity (detail) , 1451-1500 Painting Style: Italian , , religious |
62927 |
|
Illustration to the Divine Comedy |
1480s Silverpoint on parchment, completed in pen and ink, coloured with tempera Biblioteca Vaticana, Rome Artist: BOTTICELLI, Sandro Title: Illustration to the Divine Comedy (Inferno) Date: 1451-1500 Italian , graphics : other |
62928 |
|
Illustration to the Divine Comedy |
1480s Silverpoint on parchment, completed in pen and ink, coloured with tempera Biblioteca Vaticana, Rome Artist: BOTTICELLI, Sandro Title: Illustration to the Divine Comedy (Inferno) Date: 1451-1500 Italian , graphics : other |
44278 |
|
Inferno, Canto XVIII |
320 x 470 mm
|
43860 |
|
Judith Leaving the Tent of Holofernes |
1495-1500
Tempera on panel,
36,5 x 20 cm |
5280 |
|
La Primavera, Allegory of Spring |
1477-78
Panel, 315 x 205 cm
Galleria degli Uffizi, Florence |
5281 |
|
La Primavera, Allegory of Spring (detail) |
1477-78
Tempera on panel
Galleria degli Uffizi, Florence |
5308 |
|
Lamentation over the Dead Body of Christ dfhg |
1495
Tempera on wood, 140 x 207 cm
Alte Pinakothek, Munich |
44291 |
|
Lamentation over the Dead Christ |
c. 1495
Tempera on panel,
107 x 71 cm |
44287 |
|
Last Miracle and the Death of St Zenobius |
1500-05
Tempera on panel,
66 x 182 cm |
44272 |
|
Madonna and Child and the Young St John the Baptist |
1490-95
Tempera on canvas,
134 x 92 cm |
5286 |
|
Madonna and Child with an Angel (detail) fghfgh |
c. 1470
Tempera on wood
Isabella Stewart Gardner Museum, Boston |
44293 |
|
Madonna in Glory with Seraphim |
1469-70
Tempera on panel,
120 x 65 cm |
5287 |
|
Madonna of the Magnificat fg |
c.1485
Tempera on panel, diameter 118 cm
Galleria degli Uffizi, Florence |
5288 |
|
Madonna of the Pomegranate (Madonna and Child and six Angels) fdgd |
c. 1487
Panel
Galleria degli Uffizi, Florence |
5289 |
|
Madonna of the Rosengarden fhg |
1469-70
Tempera on wood, 124 x 64 cm
Galleria degli Uffizi, Florence |
5285 |
|
Madonna with the Child (Madonna with the Book) vg |
1483
Panel, 58 x 40 cm
Museo Poldi Pezzoli, Milan |
44284 |
|
Miracle of St Eligius |
1490-92
Tempera on panel,
21 x 269 cm |
5311 |
|
Mystical Nativity fg |
1501
Tempera on canvas, 108,5 x 75 cm
National Gallery, London |
5279 |
|
Pallas and the Centaur f |
1482
Tempera on canvas, 207 x 148 cm
Galleria degli Uffizi, Florence |
62929 |
|
Paradise |
Canto VI 1490s Silverpoint on parchment, completed in pen and ink, 320 x 470 mm Staatliche Museen, Berlin Artist: BOTTICELLI, Sandro Title: Paradise, Canto VI Date: 1451-1500 Italian , graphics : other |
62930 |
|
Paradise |
Canto XXX 1490s Drawing on parchment, 320 x 470 mm Staatliche Museen, Berlin In the Empyrean, the upper heaven, Dante and Beatrice are carried upwards in a river of light, from which fly sparkles which Botticelli depicts as little putti. They disappear in the meadows of flowers along the banks on either side. The one on the right had not been retraced with ink and was a preliminary drawing carried out in silver point. Artist: BOTTICELLI, Sandro Painting Title: Paradise, Canto XXX , 1451-1500 Painting Style: Italian , graphics Type: other |
62941 |
|
Portrait of a Lady |
1470-75 Tempera on panel, 65,7 x 41 cm Victoria and Albert Museum, London If the inscription on the window jamb, possibly dating from the 16th century, is to be believed, this is a portrait of Smeralda Brandini, who was a member of a respected Florentine family. A sign of her rank and respectable status is the handkerchief which she is holding in the hand placed across her body. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Lady , 1451-1500 Painting Style: Italian , , portrait |
62940 |
|
Portrait of a Young Man |
1469 Tempera on panel, 51 x 33,7 cm Galleria Palatina (Palazzo Pitti), Florence Botticelli painted this portrait in a three quarter view like a silhouette against a pale blue sky. The young man, who is looking very slightly down towards the observer, is wearing a red jerkin and the characteristic headgear of the Florentine Quattrocento, the mazzocchio. The hat band which is casually draped across his shoulder provides an artistic frame for the young man's face. The sitter of the portrait is probably Gianlorenzo de' Medici, and it could very well be Botticelli's first commissioned work, and from the hair and the clothes, the portrait must date from no later than 1469. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Young Man , 1451-1500 Painting Style: Italian , , portrait |
5318 |
|
Portrait of a Young Man fdgdf |
1483
Panel, 45 x 32 cm
National Gallery of Art, Washington |
5316 |
|
Portrait of a Young Man fddg |
1469
Tempera on wood, 51 x 33,7 cm
Galleria Palatina (Palazzo Pitti), Florence |
62943 |
|
Portrait of a Young Woman |
1475 Tempera on panel, 61 x 40 cm Galleria Palatina (Palazzo Pitti), Florence There are several assumptions concerning the identity of the young woman (Simonetta Vespucci, Clarice Orsini, Fioretta Gorini etc.). The picture was partly repainted. The sleeve of the robe covers the left hand in a very unnatural way. The lock of hair coming loose from her bun gives a more spontaneous feeling to this severe profile portrait. The half length figure is slightly to the left of the centre of the picture. Behind her is a dark window frame and it contrasts with the gentle flow other contours. The attribution of the work to Botticelli is disputed. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Young Woman , 1451-1500 Painting Style: Italian , , portrait |
5315 |
|
Portrait of a Young Woman (La bella Simonetta) fs |
1475
Panel, 61 x 41 cm
Galleria Palatina (Palazzo Pitti), Florence |
5317 |
|
Portrait of a Young Woman 223ff |
after 1480
Oil on panel, 47,5 x 35 cm
Staatliche Museen, Berlin |
62945 |
|
Portrait of a Young Woman after |
1480 Oil on panel, 47,5 x 35 cm Staatliche Museen, Berlin The authorship of Botticelli is debated. The identity of the sitter is not known, Simonetta Vespucci, Lucrezia Tornabuoni and Clarice Orsini are mentioned (but not proved) in the literature as probable sitter. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Young Woman , 1451-1500 Painting Style: Italian , , portrait |
5313 |
|
Portrait of an Unknown Personage with the Medal of Cosimo il Vecchio fdgd |
1474
Tempera on wood, 44 x 32 cm
Galleria degli Uffizi, Florence |
43857 |
|
Portrait of Giuliano de Medici |
1476-77
Tempera on panel |
62944 |
|
Portrait of Giuliano de Medici |
1475 Tempera on panel, 54 x 36 cm Accademia Carrara, Bergamo Three similar portraits of Giuliano still exist. In contrast to the version in Washington, the portraits that are now in Bergamo and Berlin were probably not created until after Giuliano's assassination during the Pazzi conspiracy in 1478, when copies would have been ordered by friends and relatives as commemorative portraits. Artist: BOTTICELLI, Sandro Painting Title: Portrait of Giuliano de' Medici , 1451-1500 Painting Style: Italian , , portrait |
44271 |
|
Portrait of Giuliano de- Medici |
c. 1475
Tempera on panel,
54 x 36 cm |
44280 |
|
Portrait of Lorenzo di Ser Piero Lorenzi |
1490-95
Tempera on panel,
50 x 36,5 cm |
44776 |
|
Primavera |
mk176
c.1478
tempera on panel
8x10
|
5298 |
|
San Ambrogio Altarpiece |
c. 1467-70
Tempera on wood, 170 x 194 cm
Galleria degli Uffizi, Florence |
5303 |
|
San Barnaba Altarpiece (detail: head of St John) gdfg |
1490
Tempera on wood
Galleria degli Uffizi, Florence |
5302 |
|
San Barnaba Altarpiece (Madonna Enthroned with Saints) gfj |
1490
Tempera on wood, 268 x 280 cm
Galleria degli Uffizi, Florence |
44289 |
|
Scenes from the Life of Moses |
1481-82
Fresco,
348,5 x 558 cm |
62947 |
|
Scenes from the Life of Moses |
1481-82 Fresco Cappella Sistina, Vatican The central scene, in which Moses watering the sheep belonging to Jethro's daughters - one of them, Zipporah, later became his wife - is one of the most charming genre pictures in the entire cycle. According to the typologial interpretation, it is a reference to Christ, who looks after his Church. Artist: BOTTICELLI, Sandro Painting Title: Scenes from the Life of Moses (detail) , 1451-1500 Painting Style: Italian , , religious |
62948 |
|
Scenes from the Life of Moses |
1481-82 Fresco Cappella Sistina, Vatican The detail shows Moses taking off his shoes. Artist: BOTTICELLI, Sandro Painting Title: Scenes from the Life of Moses (detail) , 1451-1500 Painting Style: Italian , , religious |
62949 |
|
Scenes from the Life of Moses |
1481-82 Fresco Cappella Sistina, Vatican The detail shows a young girl and a soldier. Artist: BOTTICELLI, Sandro Painting Title: Scenes from the Life of Moses (detail) , 1451-1500 Painting Style: Italian , , religious |
5299 |
|
St Augustine fdgdf |
1480
Fresco, 152 x 112 cm
Ognissanti, Florence |
44270 |
|
St Augustine in His Cell |
1490-94
Tempera on panel,
41 x 27 cm |
44283 |
|
St Augustine in His Cell |
1490-92
Tempera on panel,
21 x 269 cm |
44282 |
|
St John on Patmos |
1490-92
Tempera on panel,
21 x 269 cm |
62950 |
|
St Sixtus II |
1481 Fresco, 210 x 80 cm Cappella Sistina, Vatican In the register above the history paintings, there were originally 28 portraits of popes decorating Sixtus IV's 'cappella magna'. They are imaginary portraits, some of which are derived from Botticelli's designs. As can be seen in the figure of Sixtus II, a namesake of the pope who commissioned the work, they are full length figures placed in niches and painted, so as to be seen from far below, high up on the walls of the room. Artist: BOTTICELLI, Sandro Painting Title: St Sixtus II , 1451-1500 Painting Style: Italian , , religious |
62946 |
|
The Abyss of Hell |
1480s Coloured drawing on parchment, 320 x 470 mm Biblioteca Apostolica Vaticana, Rome Dante imagined Hell as being an abyss with nine circles, which in turn divided into various rings. Botticelli's cross-section view of the underworld is drawn so finely and precisely that it is possible to trace the individual stops made by Dante and Virgil on their descent to the centre of the earth. Artist: BOTTICELLI, Sandro Painting Title: The Abyss of Hell , 1451-1500 Painting Style: Italian , graphics Type: other |
5309 |
|
The Adoration of the Magi dfg |
1470-75
Tempera on panel, 111 x 134 cm
Galleria degli Uffizi, Florence |
5310 |
|
The Adoration of the Magi (detail) |
1470-75
Tempera on panel
Galleria degli Uffizi, Florence |
5300 |
|
The Annunciation fd |
1480
Fresco, 152 x 112 cm
Ognissanti, Florence |
5301 |
|
The Annunciation gfhfghgf |
1489
Tempera on wood,150 x 156 cm
Galleria degli Uffizi, Florence |
44297 |
|
The Birth of Christ |
200 x 300 cm |
5284 |
|
The Birth of Venus (detail) dsfds |
c. 1485
Tempera on canvas, 172.5 x 278.5 cm (full painting)
Galleria degli Uffizi, Florence |
5283 |
|
The Birth of Venus (detail) ff |
c. 1485
Tempera on canvas, 172.5 x 278.5 cm (full painting)
Galleria degli Uffizi, Florence |
5282 |
|
The Birth of Venus fg |
c. 1485
Tempera on canvas, 172.5 x 278.5 cm
Galleria degli Uffizi, Florence |
5304 |
|
The Cestello Annunciation dfg |
c. 1489
Tempera on panel, 150 x 156 cm
Galleria degli Uffizi, Florence |
5305 |
|
The Coronation of the Virgin (San Marco Altarpiece) gfh |
1490
Tempera on wood, 378 x 258 cm
Galleria degli Uffizi, Florence |
44295 |
|
The Discovery of the Murder of Holofernes |
c. 1472
Tempera on wood,
31 x 25 cm |
5306 |
|
The Discovery of the Murder of Holophernes bfg |
c. 1472
Tempera on wood, 31 x 25 cm
Galleria degli Uffizi, Florence |
44279 |
|
The Mystical Nativity |
c. 1500
Tempera on canvas,
108,5 x 75 cm |
44288 |
|
The Punishment of Korah |
1481-82
Fresco,
348,5 x 570 cm |
5307 |
|
The Return of Judith to Bethulia hgg |
c. 1472
Oil on panel, 31 x 24 cm
Galleria degli Uffizi, Florence |
5291 |
|
The Story of Nastagio degli Onesti (detail of the first episode) gfh |
1483
Tempera on panel
Museo del Prado, Madrid |
5293 |
|
The Story of Nastagio degli Onesti (detail of the second episode) dghg |
1483
Tempera on panel
Museo del Prado, Madrid |
5294 |
|
The Story of Nastagio degli Onesti (detail of the second episode) hgf |
1483
Tempera on panel
Museo del Prado, Madrid |
5296 |
|
The Story of Nastagio degli Onesti (detail of the third episode) vgd |
1483
Tempera on panel
Museo del Prado, Madrid |
5290 |
|
The Story of Nastagio degli Onesti (first episode) ghj |
1483
Tempera on panel, 83 x 138 cm
Museo del Prado, Madrid |
5297 |
|
The Story of Nastagio degli Onesti (forth episode) df |
1483
Tempera on panel, 83 x 142 cm
Private collection |
5292 |
|
The Story of Nastagio degli Onesti (second episode) gfhgf |
1483
Tempera on panel, 82 x 138 cm
Museo del Prado, Madrid |
5295 |
|
The Story of Nastagio degli Onesti (third episode) fdgfd |
1483
Tempera on panel, 83 x 142 cm
Museo del Prado, Madrid |
44281 |
|
The Story of Virginia |
1496-1504
Tempera on panel,
85 x 165 cm |
44290 |
|
The Temptation of Christ |
1481-82
Fresco,
345 x 555 cm |
44299 |
|
The Virgin Adoring the Child |
c. 1490
Tempera on panel,
diameter 59,6 cm |
44294 |
|
The Virgin and Child with Four Angels and Six Saints |
1488
Tempera on panel,
268 x 280 cm |
44274 |
|
The Virgin and Child with Three Angels |
c. 1493
Tempera on panel,
diameter 65 cm |
44292 |
|
The Virgin and Child with Two Angels and the Young St John the Baptist |
1465-70
Tempera on panel,
85 x 62 cm |
44286 |
|
Three Miracles of St Zenobius |
1500-05
Tempera on panel,
67,3 x 150,5 cm |
44277 |
|
Transfiguration, St Jerome, St Augustine |
c. 1500
Tempera on panel,
27,5 x 35,5 cm |
56497 |
|
varen |
mk248 grace, kolrit ovbdraperad kladnad bade botti lart sig av fra filippo lippi bottis tidiga tevkningsbegavning bade formidligen uppmuntrats av broderna pollaiuolo, vabeten som guldsmeder ocb gravor kravde en mycket avancerad bantverkickligbet. |
5278 |
|
Venus and Mars fg |
1480s
Tempera on wood, 69 x 173,5 cm
National Gallery, London |
44296 |
|
Vision of St Augustine |
c. 1488
Tempera on panel,
20 x 38 cm |